#Surround sound studio monitors movie
#Surround sound studio monitors tv

The subwoofer is a KH 870, and four KH 80 DSPs are used for the height layer. If necessary, we can add two more KH 310s for 7.1. The consistent sound image within the KH product line also plays an important role for the monitoring system in Studio 2 because different models are used: “Five KH 310s form the surround circle. Everyone knew the Neumann monitors, and we often heard, 'I’ve got the small ones at home!’ “

We therefore wanted loudspeakers that everyone would feel comfortable working with. Moreover, we also rent out Studio 2 to external sound engineers. Our sound engineer colleagues here at Bauer Studios also agreed on Neumann monitors. We spoke to many fellow sound engineers before we made our decision: What studio monitors do you know? What do you prefer? I personally like the Neumann studio monitors I have used them frequently and have always been able to achieve great results.

#Surround sound studio monitors tv

“Neumann monitors were in many TV mix rooms, they were used at the university, and many recording studios are now also equipped with them. A decisive factor was compatibility with other studios and with their sound engineers’ listening experience. “The decision to use Neumann actually had nothing to do with immersive,” explains Michael Thumm. Neumann Monitoring for Maximum Compatibility When it came to choosing the loudspeakers, Neumann studio monitors were quickly selected as the first choice.

The newly designed Studio 2, optimised by Markus Bertram (MB Akustik), was therefore to be equipped with a monitoring system that supports common surround formats as well as Dolby Atmos. Michael Thumm, sound engineer and managing director of Bauer Studios in the redesigned control room of Studio 2 (Photo: Andreas Barnowsky)

For example, Universal is having their back catalogue mixed in Dolby Atmos at Capitol Studios in Los Angeles.”

#Surround sound studio monitors movie

We figured that Dolby's connections to the movie business would give it a greater influence on the market. With film sound in mind, we made a conscious decision to go with Dolby Atmos, even though Auro 3D played a bigger role for music productions at the time. It was a relatively small step to screw four more speakers to the ceiling. Michael Thumm: “It quickly became clear to us that if we’re building a studio in 2017, it would be stupid not to consider an immersive format. So they were very familiar with multichannel formats, as cinema productions have long relied on surround sound – and now increasingly venture into immersive audio formats. Both Michael Thumm and his colleague Bettina Bertók-Thumm had completed their Tonmeister studies at the Babelsberg Konrad Wolf Academy of Film and Television (today: Film University) in Potsdam. Studio 2, which had previously been little used and was past its prime, was to be converted for film sound mixing. Studio Conversion as an Opportunity for Immersive Audio “What is there that goes beyond stereo? What's next? We enjoy exploring new things, and I think that's why we're still around after 70 years.” “We do have a tradition of looking forward,” explains Michael Thumm, sound engineer and managing director. So it’s only logical that the possibilities of immersive sound are now being explored. In the late 1950s, Bauer Studios became pioneers of stereophony. When Bauer Studios opened in December 1948, it was Germany’s first private recording studio. After all, Bauer Studios has always been characterised by a pioneering spirit. But the founders’ philosophy is continued with great consistency. Since 2017, Bauer Studios has been run by a new management duo, Bettina Bertók-Thumm and Michael Thumm. And for the “Studio Konzert” series, which is recorded live in front of an audience on 2-track analog tape and later distributed exclusively on vinyl – via Bauer Studios’ own record label. The main attraction of Bauer Studios has always been Studio 1, with an analog Neve console and a live room of almost 2,000 square feet that provides ample space for orchestras and big bands. Bauer Studios has earned an excellent reputation for high-quality jazz recordings in particular, including a legendary live recording adored by jazz lovers all over the world: It was never a question of pandering to the mainstream. International stars, too, such as Stevie Wonder, Chaka Khan, Miles Davis, Pat Metheney, and Al Di Meola. Sydney, Australia, August 2021 – Bauer Studios in Ludwigsburg has been among the top addresses in the German recording scene – for over 70 years! All the big names of German-language pop music have recorded here: Udo Jürgens, Reinhard Mey, Herbert Grönemeyer, to name but a few.